Author Kim, Jina
ISBN/ISSN 0496799002
Broad Subject Fine Arts
History
A major objective of this dissertation is to examine the treatment of questions concerning difference and identity in contemporary American art and criticism as presented in several art exhibitions from the 1960s to the Whitney Biennial in 1993. I trace the exclusion and marginalization of artists as Others in the earlier period in order to understand the way in which "American" in American art had been conceived and practiced. Then, I examine the historical circumstances surrounding the sudden rise of the issue of identity in art exhibitions and art works between 1989 and 1993.
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